Application

Museums & Galleries (Sample Data)

This record was written for layout review, so the application template can be seen with every field filled. Picture and wall lights for rooms where objects are displayed and looked at closely: the light has to reveal the surface without putting the source in the viewer's eye.

Photograph of this space to follow. Image 1600 × 1200 px · 4:3

What goes wrong here

The problems this space creates

Each of these is something a fitting has to survive in this space, and each one removes some of the range.

  • The room is often dark, and a light that is bright enough to see the work clearly also throws glare into the viewer's eye.
  • Glazing on the frame reflects the source back, so the fixture has to be aimed so the reflection misses the standing viewer.
  • Walls in older buildings cannot be chased for a supply, so a fixed installation is not always possible.

Conditions

What the space decides before the model

These three are checked before a recommendation is made, because they cannot be changed afterwards.

Space

Rooms are usually taller than domestic interiors, with masonry or plaster walls and a ceiling high enough that mounting above a work is possible. Frames vary widely in depth, and glazing is common, which changes how the light behaves at the surface.

Power

A permanent supply at the mounting position is the first choice where the wall is being worked on, because it removes the cord and the battery from the operation of the display. Where the wall cannot be opened, the rechargeable build is what makes the installation possible at all, and the display has to be planned around taking the head down to charge.

Light

Levels are usually kept low and warm, and the light is aimed rather than spread, because the objects are seen close up and a bright pool in a dim room reads as glare. Where a work is shown in a frame with glazing, the reflection of the source is the first thing to test: a head set too far forward will be visible in the glass whatever the output.

Selection

How to narrow the range

The guidance below is the same advice we give on an enquiry, written down so it can be checked before you ask.

Start from the width of the largest work and the height the viewer stands at, then choose the arm length and the beam, and only then decide the finish. A fixture that matches the frame nearly disappears; one that contrasts becomes part of the display, which is a curatorial decision rather than a technical one.

Power types that suit this space Hardwired Rechargeable

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Technical tips

What tends to decide it on site

Points that come up during installation rather than during selection.

  • Test the aim with the actual frame and glazing in place: a reflection that is invisible at the bench appears as soon as the work is hung.
  • Keep the source out of the standing viewer's line of sight rather than reducing the output, because a dimmer light aimed badly still glares.

Records

The fittings and the projects for this space

The list is generated from the records themselves: a product appears here because it names this space, not because it was entered twice.

Fittings used in this space

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